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GOLDSEA | MEDIAWATCH

MONEY, MEDIA &
The Asian American Image

PAGE 3 OF 4

     From a score of transPacific trips in the past seven years, I know that over half of all business and first-class passengers on most airlines are Asian. In coach the percentages are even higher.

     A survey of counterpeople of premium cosmetics brands like Estee Lauder, Chanel, Lancome and Christian Dior in top-flight California department stores shows that 20-65% of all sales are to Asian women. These figures hold up as well for the toney purveyors of brand-name fashion and accessories that line Rodeo Drive.

     The truth is that we Asians have enough buying power to ensure the success or failure of virtually any premium brand selling in the U.S. simply by systematically giving or withholding our business.

     This translates into the potential to exercise formidable influence over what kinds of Asian images we see in the American media. But only if we use it.

     Let's take a look at the media food chain.

[CONTINUED BELOW]



     The entire American mass media is ad-driven. TV and radio broadcasters get 100% of their revenues from selling commercial time. The price charged for a spot depends on the share of the total audience, or rating points, the show achieves as measured by the homes wired to the ratings services. A loss of even one point can mean millions of dollars in lost advertising revenues. In the past decade networks have suffered a heavy loss of viewership to cable and video. That has meant a big decline in revenues, forcing them to cut costs in order to stay in business. A two or three ratings-point decline relative to competing networks would probably result in a show's cancellation and a frantic search for a replacement. No network can afford to lose additional ad revenues. That is exactly what they would do if their existing advertisers go letters of complaint from Asian viewers disgruntled by unfair depictions or unrealistic omissions of Asian characters.

     Most newspapers and mass-circulation consumer magazines like Time, People and BusinessWeek, with circulations dozens of times the size of this magazine, spend far more money on printing and mailing magazines than they take in from newsstands and subscriptions. They keep prices as low as possible in order to maintain a large circulation base that can be translated into higher rates for advertising space. What's more, they maintain their huge subscription bases by pumping tens of millions a year into expensive direct-mail campaigns, the single biggest budget item for mass-circulation magazines. In the past several years, however, most have suffered a 20-35% drop in ad revenues. As a result, they have been unable to spend as much to maintain subscription bases. Time, for example, announced three sharp cuts in its circulation base during the past three years. Currently very few mass-circulation publications are operating with healthy profits. Even a 20% loss of ad pages would plunge most deeply into the red. A bigger loss would likely force them out of business, as with several mass-circulation, ad-driven magazines in the past two years.

     More than anything, the mass media fear the loss of advertisers. This is especially true where they are competing for ad dollars against one or more similar competitors. For TV shows competitors would be any show that reaches a similar audience. In the case of Time, competitors are Newsweek and U.S. News & World Report. For The New York Times, competitors are the Wall Street Journal and USA Today. PAGE 4

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This translates into the potential to exercise formidable influence over what kinds of Asian images we see in the American media.