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Roy Lee:
King of the Asian Box Office Smash Remake


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Roy Lee:
King of the Asian Box Office Smash Remake

     Few doubt Lee's rapport with Asian and American movie studios, but some have raised questions about his business style. For starters, not everyone agrees that Lee deserves full credit for discovering the Japanese horror flick Ringu. One such critic is Mike Macari, once an executive at Fine Line Features in charge of the remaking of Ringu. After being laid off, Macari took the project to other Hollywood studios and production companies. one was Benderspink, a talent management/production company, according to the New Yorker. Macari asked it to act as his agent in getting the film sold. Roy Lee, then a Benderspink employee working alongside Chris Bender and J.C. Spink, saw Ringu and took it to DreamWorks exec Mark Sourian. Sourian convinced the studios to buy the remake rights for $1 million.

     Macari expected to be credited as one of the film's producers but was initially left out of the credits. Lee threatened to distibute unflattering mug shots of Macari being arrested on drunk driving charges unless Macari agreed to give Lee full credit for discovering the movie. Asked about it, Lee laughs.

     “He got arrested at the police station down the street and they had mug shots,” recalls Lee. “He was drunk at the time. It was very humorous. The joke at the time was that I was going to show them to everyone. But I didn't.”

     Lee is quick to point out that in the end, both were billed as executive producers.

     “He got as much credit as me, I think he was more bitter that he didn't get any further projects,” Lee shrugs, as though baffled by Macari's apparent discontent.


Roy Lee


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     Lee and Macari are not “necessarily friends,” but they remain “cordial,” says Lee. Despite this contretemps, Lee speaks of The Ring with deep pride as his greatest success.

     Lee's penchant for cold-blooded dealings surfaced while he was attending high school in Maryland. Once a classmate shot him in the ankle with a BB gun. By way of reprisal Lee unscrewed the lugnuts from a front wheel of the classmate's car. The classmate suffered an accident but couldn't come up with enough evidence to have Lee prosecuted.

     These days Roy Lee is too busy to devote time to seeking revenge on enemies. But he speaks wistfully about hiring a professional heckler to block his enemies' parking spots, make them late to meetings and generally make life difficult for them.

     Cold-blooded pranks and unflattering sendups of acquaintances notwithstanding (“very fat” he says of Spink), Lee projects such earnestness that it's difficult to disbelieve his account of events. Even when he insists that major studios just wouldn't be interested in projects casting Asian Americans in leading roles, you can't dislike him any more than you can dislike a child with the personal style of an impish mafioso.

     Still you can't help wondering how a man who speaks no Corean, no Japanese and no Cantonese became the guy trusted to serve as an honest broker by both top Asian directors and major Hollywood studios.

     Roy Lee was born in 1969 in Brooklyn. His father was a doctor. His mother stayed at home until Roy and his older brother left for college, then became a teacher. Roy's most memorable moments are of trips to the theater with his mother. Movie ratings like PG, and R meant nothing to her, much to the shock of his playmates' parents.

     “She took my sixth grade friends and I to see The Fog which was an R-rated film,” recalls Lee. “We were all under twelve. A lot of parents were upset with my mother the next day when the kids were afraid to sleep at night.”

     Roy's mother gave her sons plenty of freedom growing up. But her propensity for hanging popsicle and yarn crucifixes in the family car and fastening tennis ball halves to the bottom of chairs to prevent the scratching of the linoleum were constant sources of embarrassment for Roy.

     Lee attended George Washington University. While still an undergrad he interned at the D.C. office of the law firm Fried Frank Harris Shriver & Jacobson. He set his sights on becoming a lawyer and decided to lose his group of hard-partying friends. According to his older brother, Roy threw a big Christmas bash. As the party was winding down, Roy told his friends, “I hope you've all had a great time because in the new year I don't want to see any of you again,” PAGE 3

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“She took my sixth grade friends and I to see The Fog which was an R-rated film. We were all under twelve. A lot of parents were upset with my mother the next day when the kids were afraid to sleep at night.”


the ring
A scene from The Ring, the first Hollywood remake of an Asian film for which Roy Lee sold the rights.


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