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GOLDSEA | ASIAN AMERICAN RAGS-TO-RICHES SAGAS

RICHES FROM RAGS

PAGE 12 OF 15

     Mow's own long-term goal is to make Bugle Boy a major player in every one of the ten market segments for which it has established distinct divisions, each with its own sales and merchandising staffs. After men's, Mow will focus on misses and juniors in which BBI currently has a modest $80 million in sales. He expects to build it up to $1 billion within a few years.

     Most chairman of leading companies spend their energies worrying about Wall Street analysts and quaterly earning statements. Mow can afford to focus all his energies on the ultimate goal of satisfying the customer. In the long term this is the biggest advantage. But to make the fight interesting, Levis too is now a private company, its founding family having taken it private in a leveraged buyout.

     "I'm not as emotionally attached to the company as I was with Macrodata, even thought I've made a lot more money and developed a much bigger reputation. It's because I've gone through the hardship of understanding how to manage the current situation. I've made myself very secure so I can really run the company and focus on things that are important, like wastage. The key to a company is how to minimize waste, how to use the most advanced technology to minimize cost. I'm using technology that's different from most apparel companies.

     "I want to do things that have never been done before in the apparel business," Mow says, groping for the right expression. "It's been said that it's impossible to sustain a fashion import business for long. It's exciting because you have to be creative to be in the game. It's like [being] a fighter who is the champion in four weight classes."

     "I'm very hands on," Mow says of his management style. He is especially concerned about maintaining a relaxed and tasteful image for the Bugle Boy brand. Mow himself came up with the basic concept for the TV commercial which has a girl in a jeep stopping to ask a young hitchhiker whether his jeans are Bugle Boys. As originally conceived by Mow, a billowing skirt would have revealed a lot of leg and the girl would have been driving a Ferrari. Three of Mow's indulgences are Ferraris, two of them convertibles.

     "If she picked him up, the advertisement is over, there's no sequel," Mow explains. "It would be an ordinary ad. She was actually interested in the pants and not the guy. That's the key element." The commercial's comedic possibilities weren't lost on the Late Late Show. According to Mow, Rubin Postaer, the agency that produced the successful first commercial, was fired by Genevieve for being "too much of an expert" and not allowing room for joint creativity. Bugle Boy's current agency is DDB-Needham.

     "I set the policy. I'm hands on to that level. People don't come to me with emergencies. I will take on the next issues. On one day I can hit three or four departments." But he is careful to respect the management hierarchy.

     "I don't jump levels. I only deal with people in upper management." For the most part these are the people with whom he has cultivated smooth working relations over many years. "I'm happy with everyone. It wasn't always this way. It's this way because I have the patience to work with the people and people have learned by being with me." PAGE 13

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“I set the policy. I'm hands on to that level. People don't come to me with emergencies. I will take on the next issues.”




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