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Is Corean (Korean) Cinema the New HK Cinema?

t the peak of its Golden Era between the mid-80s and early-90s Hong Kong cinema was defending nearly half its domestic box office turf against Hollywood imports, thanks to an unusual concentration of mega-talents like John Woo, Chow Yun-Fat, Jackie Chan and Tsui Hark. No other film industry in the world had been able to claim that for a half century. What's more, some HK kung-fu and gangster flicks outdrew Hollywood thrillers in many international markets.
Won Bin
Corean heartthrob Won Bin

     Hollywood's strategy for coping with the HK threat? Simple and devastatingly effective -- buy up the biggest box-office draws. The result has been an epic shift: the top HK talents have been reduced mostly to coolie-ing on Hollywood formulaics while HK cinema has become a parched gulch with bounding tumbleweeds and half-hinged screen doors banging forlornly with every hot gust.
Kim Yoon-jin
Corean American Shiri star Kim Yoon-jin

     But just as Asian Americans resigned themselves to having screen images hijacked by a remarkably Asian-unfriendly Hollywood, Corean cinema began throwing off heat. Beginning in the early 90s a hardy new generation of Corean filmmakers made themselves fixtures at the award ceremonies of Cannes, Venice and other international film festivals. By the turn of the century Corea's Pusan Film Festival emerged as Asia's premiere celluloid bazaar. But that was small potatoes, not enough to catch the notice of an industry whose real lifeblood is box office.
     Then came Shiri (1999), Kang Jae-gyu's lovingly-wrought, haunting thriller about a deadly North Corean female terrorist who falls in love with exactly the wrong guy. It became the first domestic film in history to break the 2 million ticket mark for the Seoul metropolitan area (which accounts for about 25% of the Corean market), and went on to outgross Hollywood blockbusters like The Mummy, The Matrix, Titanic, Star Wars Episode One and Toy Story. Its $5 million budget is less than a tenth of what Hollywood spends at the drop of a dime but was considered a daring gamble. It paid off. Domestic box office receipts ultimately spiked past $60 million, ensuring an unexpected profit for the film's backer Samsung Entertainment -- and more importantly, whetting the appetites of investors for more "big-budget" projects.
     Director Kang took pains to point out that Shiri's success was founded on a painstakingly crafted screenplay -- something few Corean directors had bothered with before then.
     In 2000 and 2001 alone, two Corean films surpassed Shiri's box office benchmarks: Joint Security Area (DMZ military mystery/drama, 2000) and Friend (male-bonding, 2001). These blockbusters have stimulated a general upsurge of interest in domestic films. Films like Friend and My Sassy Girl (romantic comedy) outgrossed Hollywood megapics like Harry Potter and Lord of the Rings. They helped make Corea the only market in which domestic films captured over 50% of box office receipts, with Hollywood fare attracting 40%.
     As the saga of Hong Kong cinema has shown, nothing yanks Hollywood's chain like being kicked at the box office. Major studios have begun importing Shiri, Musa (co-starring Zhang Zhiyi as a Ming princess rescued by Corean swordsmen) and other Corean films for limited U.S. theatrical release and video distribution. More significantly -- or ominously, depending on your perspective -- they have begun signing Corean talent. One is actress Shin Eun-kyung who starred in the popular comedy My Wife Is a Gangster (2001) which outgrossed Lord of the Rings. Shin will play the female lead opposite Andy Garcia. Miramax even paid $1.1 million for the remake rights to My Wife Is a Gangster.
     Is Corean cinema the new Hong Kong cinema? Or will an Asian version of Hollywood ultimately emerge in Corea?

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WHAT YOU SAY

[This page is closed to new input. --Ed.]

(Updated Tuesday, Apr 1, 2008, 06:07:23 PM)

Ms.Kwan:

Yes, I was serious. I thought you were very funny in one of your responses. Unfortunately, I can't seem to find it now.

A Fan of Ms. Kwan
   Tuesday, March 19, 2002 at 22:19:13 (PST)
I have analysed the height of Celebrities in China and Corea. Corean female stars tend to be 5'5 to 5'6. Pretty good. Around 50% of them are that height.

China on the other hand, has around... 40% at 5'5- 5'6, and 35 % at 5'9-5'10 mark. Chinese female celebs are so tall!

Hehe pointless ... simply pointless...
anyways, Coreans are pretty average height, not freakishly tall. The men all are around 6ft and women at 5'6, chinese female celebs tend to be over 6ft haha! Very not proportional!
Ms.Kwan
   Tuesday, March 19, 2002 at 18:34:36 (PST)
Thank you goldsea for introducing this SEXY man won bin!!! My nights in Beijing under the bridge will be more fulfilled! BTW, I am under protection.


Coreans... so good! Great future for this lovely kingdom located on the peninsula!

Place the lovely shanghai girl with the corean man... OUCH *so hot*
Coreans are apparently very liked by the Hong Kong media! Kelly Chen, my idol, 5'8.5 and so pretty took photos at the shooting of some movie/televison series with won bin and that japanese lady! They had some kinda fashion show in Hong Kong called Kiss Hong Kong, which featured many of Corea's finest singers and actors.
Ekin Chen was also there... Corea and HK seem to be really exchanging celebrities! Also, Chinese people like Vicki Zhao n Zhang Ziyi getting more popular in Corea. So is Cecilia Cheung, and other hong kong celebs (kelly chen, edison chen) ... Taiwanese also are liking coreans and vice versa.Taiwanese siren Shu Qi stared in that movie "So close" with a Corean gentleman, good exchanging of idols!
Crazy woman in Beijing who jacked a computer in a internet cafe.
   Tuesday, March 19, 2002 at 16:09:24 (PST)
What I would like to see is the Asian market have better script writers. The reason Hollywood does so well is because it's always the one that starts up new ideas for movies. I know there are talents in Asia, but those talents need to not copy American movies and think of new ones for themselves!
coocooroo
   Tuesday, March 19, 2002 at 12:00:25 (PST)

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